I love working with ostinatos. I typically start with one ostinato then build upon it with another. You feel like an architect that builds upon previous structures. It’s more of a vertical approach to composition than horizontal. There’s something very meditative, introspective and tribal about it. It’s analogous to traveling without moving. I love exploratory the same idea from multiple angles, such as displacements, permutations, variant and subordinate motivic structures, and modulations. A lot of the inspiration stems from minimalism and ambient works.
from heavy repping