add delay to the distortion swells when the climax comes?
direction mixer explore
intro is too loud compard to the rest. i want the music to engulf you as it goes. no sameness. have dynamic range.
for the swells - direction mixer/pan it such that it comes from the center in and out of the center.
drop is b7
sculpted special delays for distortion swells.
cascading dynamic layers that lead to the “drop”, direction mixer, 3d volumes
thrwart/change the bass drop. its too straight. do it like ex machina OST, where tension lingers, no resulution. maybe take out the bass drop and let it fade into the next part.
maybe make intro fade in or more organic growing - nah
fractal/cloud_(in downloads folder 12_31) -collapse/departure_m?, and negative!
call it
hurricane_1, or collapse
hurricane_2 - can i make this longer? the r release short and long version? also remember the harmonized version.
hurricane_3-im gonna make this so fucking long. and maybe true pauses can have some significance...fibonacci or whatever
something with the clouds are fractal waves? - hurricane_4
longform departure/collapse/hurricane_2
OR:
- hurricane_ (formerly called departure) starts with the negative rising
- hurricane_2 (formerly clouds are fractal_)
- hurricane_3 (departure again, (maybe shorter?), with the b6,
- hurricane 4 (negative collapse)
- hurricane 5? ambient (LISTEN TO phenomena5 v6 (MEDITATION PIECE)) so good. hearing that ascension) ←-overlay departure? and have this do the b6 run?
OR: have departure_ be a seperate release. we can do both.
THE 4TH LAST AMBIENT TRACK IS SOLARIS...REPRISE TO THE RESONANT OSTINATO FROM #2 BUT IT IS HARMONIZED! YOU MADE A HARMONIZED VERSION REMMEBER? SEE 12_31 DARK (YOU HAD TRIED TO SPLICE AUTINS 12_31 TO THIS.) btw departure also tried to be reharmonized remember-maybe can put here?
find all 12 31 sessions that pertain to this.
see also "dark1 backup (in case anything hapens)" and the dark1 dark2 series etc. find all sessions that pertain to this...i remmeber having 3 passes of logic sessons for departure_
release departure as post release alt mix or something like collapse_2_altmix
add surrealist - hurricane ostinato sample to the 1st track during drive part?
add sound design tracks? like that violin distortion wave.
see "grain" too, in downloads or logic folder, or other folders. you also made a master logic session with all tracks of this project. see downloads etc.
SEE "NEWCLOUD UNMASTERED" IN MASTER FOLDER - CAN BE A REPRISE OF THE DISTORTION WAVES, COMING IN AT B6 B7 EMOTIONAL WHEN THE NEW TREMOLO OSTINATO COMES IN AFTER THE INITIAL INTERMITTTENT ONE! can use the b6 swells from the harmonized newcloud attempt to form emotion with track 3 interittemance new swirl.
departure cloud phenomena negative collapse grain hurricane
post master folders
phenomena2 (cloud) — contains the other tracks too.
-3phenomena this is it (departure).logicx - release this as a like a follow up.
"new cloud" might have better sound quality?
add that one guitar harmonic like note in during the first cloud track when the first swirl come sin. (see dark1 in case i foget what i mean, whe cloud starts) [inside 12_32 folder in downloads]
cloud:
add k-stereo? either as a whole or on individual layers
make something with that organism track that happens after the drop of cloud? the high electronic tremolo tessitura?
man so many layers in cloud can be their own tracks....so good.
listen to newcloud_unmastered to match mix. (IN THE CHORS OF THIS THERES THAT EMOTE OTIF< EXTRACT AND MAKE A TRACK OUT OF THAT) . love the ending of this, can maybe do a reprise that has this?
(can add all the alt harmoized version to dark access)
the intermittent fibbonaci ostinato gets more distorted over time? like annihalation...
maybe phenomea stretch elements...paul
or displace
or mirroring preclimax of cloud
HMM FRACTALS BREAK UP AFTER 43 SECONDS OR SO (HALFWAY?) LIKE THERES A GAP, OR SOME SORT OF BREAK IN BETWEEN EACH ONE. OOO OR ACTUALLY IN BETWEEN THEY START TO GAP IN AND OUT! LIKE YOU HAVE PRECLIMAX. THIS ALSO SERVES TO SLOW DOWN THE PIECE! FOR YOU CAN JUST CHOP IT UP AND MOVE EACH SEGREMENT TO GET THE GAP< AND SLOW IT DOWN> ALL WHILST THE FEATHERY WHITE NOISE IS THERE< CONSOLIDATING, ADDING FUR AND SMOOTHNESS.
gradual transformation through the iterations
i want to create var tracks for each one of the variations of the ostinato....it can be as a seperate collective release or as part of this. but that would be amazing.
can use fur and noise from cycles.
check of aliasing and other unwanted freqs. in pitch shifted and all tracks
consider ampex tape delay on more things.
upload old clouds are fractals master - def release this as part of fracta series perhaps. dont use old master, use new mix, and get it mastered.
for final phenomena track - consider the bass phenomena movement , consider the bass phenomena movement - this is in deus logic session
for all the variants - explore octave down, two octaves down, octave up, etc. other modulations, etc.
maybe do do a recap of the departure works. like solaris. subtle yet magnitutidal variants